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:: chapter IV :: the movies ::

 
The Movies (X) : The Press ¤~
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:: Talking with The Lord Of The Rings - A transcript book ::
9 December, 2001
London, Dorchester

That must have been one very tiring shooting.

Sean Astin : I was always exhausted in New Zealand. But Peter Jackson kept reminding us that pain and tiredness were only temporary, the movie is forever. For sure the shooting was extremely tiring, but I got to go to some of the most beautiful places I have ever seen in my all life. And to smell that pipe smoke, so unique and special. My all experience with New Zealand was through that tobacco.

How was it like to wear those feet ?

SA : What do you want to know about the feet ? They were big and hairy. I even thought about sending a pair to David Beckham.

But, wasn't it hard to act with them on ?

SA : After they were on, they were kind of comfortable. If the ground was rocky, you could feel it a bit. But the makeup effects team found a really revolutionary solution for that. It's hard to explain. They would put glue all over our foot and then the Hobbit foot. We had to be standing up the all time, because if we sat, when we got up again the feet would be filled with bubbles. There was always a team ready for whatever happened, because when we had to run or ride a horse, several things would always happen with the feet, like a toe being left behind, or stuff like that.

Sam goes through an enormous journey in this movie. Ever got yourself lost, in terms of your character ?

SA : In my career as an actor I've always tried to know my characters inside out. It has to be like that, if you want to make the audience believe in you, that you are that character. But in this movie, it was really complicated. I needed but to look at the clothes I had to wear, to see how dirty they sometimes were, to really understand all that the character was going through. Sometimes, when we’d arrive on location, they would give us hundreds of pages with working schedules, updates and revisions. I wasn't able to keep up with all that logistic and still remain sane enough to do my job. I decided to just allow myself to be carried away by what was surrounding me. Whether it was a huge built set or a far away mountain to where we'd been flown in by helicopter. It was a very organic experience, as an actor. They were constantly working on the script. Always innovating and changing things, keeping in mind what they had and what people could do. They wanted to get the adaptation always better and better, so the best was just to follow the train, instead of trying to get ahead of it.

Source : À conversa com os Senhores dos Anéis, by João Antunes.

 

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