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Hey
Folks,
Meeting Elijah was a lot of fun! He was both personable and very, very talkative. hehe
Elijah was a bit shattered, as they had just flown into Los Angeles from the RotK Premier in New Zealand, however he seemed to enjoying himself and was more than willing to discuss the making of the Trilogy and all of the emotions involved in the process.
Now without further ado...
may I present Elijah Wood!
Jet
lagged?
A little tired. It's an exhausting process…
You got rid of the
spiky hair that you had a few months ago when you were in New York...
Yeah, I had that for about 2 weeks that was about it.
Oh really?
Yeah, that was all it needed…
Captured forever on film…
Exactly
What's the feeling…relief, or sadness, or a little bit of both,
that this thing is all but done now?
I think, in concept, a bit of both. I think, at the moment, we're too in the
midst of this particular part of the journey to feel sorrow yet. It doesn't
feel over because we still have so much to go in terms of releasing the film
and the promotion of it. In terms of relief, I think…next year, when
we don't have another junket to do, and we won't have to <bleep> plaster
on the fake smile and plow through this <bleep> again…(hearty laughter
from all) but you know how it is. It is an exhausting process and I think
the fact that we won't have to come back next year and…
Shoot more?
Well, the shooting…love to keep doing that...
It's exhaustion that's the problem?
It's just exhausting, so I guess there's probably some relief associated with
that, but it's been an amazing journey for us. It's four years of an incredibly
brilliant life experience where we've made some of the best friends of our
lives, and I don't think we're ready to let go of that. I think the real realization
that it's over will come at the end, once the movie's finished and come out,
and all of the press is finished. I think we'll then be left to reflect…I
think it'll sort of really hit us then. You know, we had a kind of end already,
in terms of leaving the film, when we finished the last of the pickups in
June. That's when we really kind of emotionally ended our experience, and
that was very difficult.
To follow up on that, when leaving New Zealand and sailing into the
West, what was that like for you…leaving New Zealand and that whole bit?
It's bumming, because when we talk about the end, and the leaving process,
and all that, there are kind of a lot of ends. This ended many, many times
over the past four years. The one that is the sort of iconic end is when we
actually left New Zealand after principal photography, which was three years
ago, and that was a very difficult thing…a lot of mixed emotions because
we were all…at that point, it had been sixteen months that we'd been
working on all three movies. We'd been pushed to our limits, and we were completely
exhausted, yet we had immersed ourselves in this world, in New Zealand, with
this extended family of the crew and the cast. We weren't really ready to
leave, so half of us were saying, "We need to get home so that we can
finally just rest and know what real relaxation is," 'cause we hadn't
known that for months and months. At the same time, we weren't really ready
to leave New Zealand and say goodbye to everyone, so that kind of journey
home was a very difficult one after the initial wrap, and more importantly,
I think, and more interestingly, was what, consequently, we felt after we
actually did get home. Once we were back in our normal life, because we were
so used to life there, and on that film, and we were living on that schedule,
within that world, in New Zealand with all these people, and suddenly our
own life…we didn't know…I didn't know quite what my own life meant
anymore. So it was really about trying to re-instate myself into reality and
what that meant. I mean, it took me about five or six months to come out of
hibernation, really, to come back to being whole and complete and back in
the world again. I mean, it sounds kind of dramatic, but…
How many of the friendships that you made have actually lasted? Do you
actually really keep in contact with the other hobbits?
Oh yeah…definitely. The hobbits, I think, are probably the strongest
relationship that I have, primarily because we started the film together,
working every day, so those relationships kind of endured throughout, and
we're also the closest in age, so we relate to each other more than anyone
else on the film, but we also kind of embody all the elements of the characters
in life, so we've always been the closest, so certainly, those are the relationships
that will remain the strongest, I think, over time. I'm still very close to
Viggo, and some of the other actors who were certainly close with, I'm sure
I will see in life and know in life for the rest of my life.
Well, especially since not all of you live in Los Angeles…
Exactly. There's always a function of that when you work on any movie, but
I certainly have never felt so close to the people that I've worked with,
and, at least knowing that I will see them again in life. There's always a
thing that happens when you work on movies…it's a tight-knit atmosphere
and you become very close to the people you work with over the period of,
normally, three or four months. The movie ends, and you sort of lose touch,
and I think that that'll be true of this, but I think that when we all do
see each other again, or run into each other again, the bonds are much greater,
and will endure the test of time.
There's a strange
kind of creative dislocation that happens to you when you…as an actor,
you did the whole movie and then you have to re-experience it every year,
right, when you go on the junkets…what was that like?
Well, it wasn't as strange as it would seem, because every year we've gone
back to New Zealand to do pickups, so, in actual fact, it hasn't really felt
like we've stopped working on the movie. It was a funny thing, because we
did have that wrap of principal photography, the emotional sort of separation
anxiety of dealing with that and leaving that world and then suddenly realizing,
"Wait a second, we're going back every single year, so the journey's
never going to end and we're gonna keep working on these things for the rest
of our lives…"
You're going to go back to do the DVD, right?
We won't have to go back to New Zealand for it, we will do stuff on the DVD.
There'll be commentary on the movies…
Do you look at the films and say, "Okay, I did this three weeks ago,
I did this a year ago, I did that in 1999…can you see yourself where
you've aged? I've talked to people when they've done re-shoots…you know,
there's the famous one with Jennifer Grey, where she did that movie "The
Wind" where she had a nose job in the middle of the shoot and she sits
there "pre-nose job, nose job, pre-nose job…." you know what
I'm getting at?
Oh yeah, totally…I don't watch it thinking about those things. I certainly
could…I mean, I could sit down with the movie and go, "Okay, yep,
that was a pickup…that was done roughly…there…" A lot
of the stuff, though, kind of blends together. The stuff that was done in
principal is sort of a blur in terms of the timeline in which it was done
because we were constantly moving back and forth and shooting out of sequence.
It's difficult to know or remember specifically when each thing was done.
Certain scenes stand out more than others because of things that happened
around those times, so I can be specific about certain scenes...but I tend
to kind of just watch. With these movies, I just completely give over to the
experience of watching. I find myself being just as much of a fan as anyone
else, and there's a wonderful thing in these films, in the sense that we get
to sort of…sit down and watch them and only one-third of it really is
me, so everything else, I'm not really familiar with. I was so focused on
my journey that I completely forgot about what the other characters were up
to. They would mention sequences that they were shooting and I'd completely
forgotten about what happened to certain characters and what goes on along
the way in their parts of the story, so, in sitting down and watching these
movies, it's almost like watching a movie I wasn't a part of. It's kind of
nice to actually have a fresh take on the film instead of being so close to
it that I can't be objective. There's a real giving over to the film experience,
which is nice.
The scene where you're caught up in the spider web…did you ever
just want to lose your mind? I mean, where you ever claustrophobic when you're
sort of in that…
In that cocoon?
Cocoon, yeah...I mean…
Ahhh, no…that was cool. I kinda dug that. They wrapped me up with this
web material that they'd made...it was kind of this sticky plastic that they'd
created…it was really incredible. All of the major web pieces were made
with it, and I thought it was a lot of fun for some reason...I don't know…I'm
kind of crazy that way…
How much time did you spend in the cocoon?
Not very long…it would have been for periods of a half an hour to an
hour or more, each time, and then they'd take me out, and re-wrap me…
Along those lines, were there any times where you sort of lost yourself
in the character...where the emotions may have just taken over?
Kind of difficult to do in some of the settings, because sometimes we were
onstage and there would be wind machines and…you always lose yourself
in the character to a certain degree, within the scene..you kind of have to.
This is kind of different from what you're saying, but there was one time
when I was walking from a location on the set to where the base camp was,
where our trailers were…it was quite a distance between the two areas,
and between them was a field, and nothing…no kind of reference to the
modern world whatsoever. I remember walking from the set to my trailer and,
along that fifteen-minute walk, I looked down and saw my feet, and they were
hobbit feet, and since I didn't have any reference around me of the modern
world, or the film, or anything else, and it was just an incredibly amazing,
beautiful location, I suddenly felt like I was an actual hobbit…"in
the Shire" (spoken with Frodo's Shire accent)…that was a moment
where things became very real.
This is certainly a film that calls for you to be so emotional for so
much of the project. The whole second one you're completely getting darker
and darker, and then the third one where it kind of climaxes…how did
you get relief from that? I mean, was it just hanging out on the set with
friends or did you just kind of stay in that place?
No, I definitely didn't stay in that place. There was always relief…we
never took things too seriously, and there's always a sense of comedy on the
set. Peter was always quite funny, and working with the other hobbits was
always hilarious. Obviously, for a lot of the stuff in the third movie, I
didn't have the other hobbits around, it was me and Sean, but we always managed
to lighten the atmosphere and make it fun and have a good time, to take away
from the sort of grim nature of some of the scenes. When the cameras stopped
rolling, there'd be jokes and silliness and then the cameras roll, and, just,
back to the… intensity of the ring and the destruction of the ring.
Take us through two versions of the destruction of the ring…which one
did you prefer? You shot two versions of it, right?
(Surprised) Oh! Oh…I don't know…I mean, I could tell you, but the
thing is, for people who haven't seen the ending of it…you guys have
seen it…I don't know if I should say anything
Well, Jackson talked about it...and Andy talked about it…and he
told me to put this question to you. The one he said to ask you was…were
you trying to get the ring, or get it over the cliff? I said you would've
just pushed him over the cliff if that was the case…
There were two different versions…the first version that we shot, I think,
was not ambiguous enough as to whether Frodo pushed Gollum off or it was an
accident, and, I think, the first version that we shot, it may have happened
too easily, like, Frodo…his finger's bitten off, he stands up, looks
at Gollum, runs at him, and Gollum falls off, and we wanted there to be a
bit more ambiguity within that particular moment, as to the actual motivation
for Frodo running at Gollum, and also for it to seem somewhat accidental,
and for there to be a bit of a struggle with the ring, and there to be something
behind that as well.
Okay, so your humble opinion…was he chasing the ring?
Frodo was absolutely after the ring.
Your not trying to save it anymore?
No, he's not trying to save it anymore…that was my feeling, especially
when it comes down to the fact that he's already made the decision to own
the ring…the ring is hated at this point, he's made his decision, he's
done the term. Having it bitten off and taken away from him isn't going to
change that, and I think it's going to make him even more incensed when he
sees that the great rival…the other ringbearer…the one that he completely
relates to has suddenly got it. I actually believe that Frodo may have intended
to kill Gollum…the way that it plays out, it doesn't actually seem that
way, and it may not actually be the case…but I wouldn't put it past that
character in that particular situation.
You say you're a fan of the movies; you're a fan of the whole Tolkien
thing. Have you been out to any of the Tolkien sites? What do you think of
the feedback from the book purists on the things they've seen and what you've
done as a cast and crew?
I love their thoughts on the films, even when it becomes critical…they're
passionate about these books, and when they have thoughts on certain decisions
that we've made that may be slightly different from the book, and they have
discussions about these particular elements, I think it's great, and healthy,
and interesting. It's a very difficult audience to please, because they've
been reading these books since they were kids, some of them, and some of them,
time and time again, so these characters are very close to them, and these
stories are very close to them, and so, the fact that we've actually managed,
in an overall sense, to please the fans, is kind of extraordinary, and a wonderful
achievement. The fact that they have gripes here and there is completely reasonable
and I totally understand.
Is there anything you're going to hold on to?
A good moment at the end of all things is actually the beginning of all things…the
memory of all the arrivals…upon first coming to New Zealand…and
the palpable sense of excitement in the air at the journey that we were about
to have. I'd love to go back there and just see…to feel that again, knowing
what I know now…it's pretty amazing.
Is that it?
Yes, thanks Elijah!
Want to listen to the complete audio interview? Go here: Elijah Wood - Part 1 & Elijah Wood - Part 2
Interviews conducted by Illuvatar and other members of The Printed Press, at the Los Angeles Press Junket on December 3rd, 2003. We have 14 of these interviews to release and we'll try and bring you a few a week over the next few weeks, so keep an eye, or two if you can spare them, on the main page new for more soon! :-)
Special thanks to New Line Cinema and all the Cast & Crew for taking the time to sit down with us and provide these interviews. And a very, very special thanks to all of the War of the Ring staff that pitched in their personal time to do the transcriptions!
In Fellowship,
Illuvatar ~ Webmaster - War of the Ring.net
Got a comment on what you've read? Then post a message below, if you have a question or want to discuss in more detail then head over to the WotR Community Forum.
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